Before I embarked on the epic knitting project that was the Knitivity, I’d just finished another project which was very different, but equally as epic in its own way. I’ve had the book A Gathering of Lace for years, knitting one of the smaller shawls back when I bought it. I’ve always had my eye on one of the larger shawl patterns – frost flowers & leaves (Ravelry link) – and decided to buy some gorgeous merino laceweight at the Edinburgh Yarn Festival in March last year specifically to knit it. The yarn came from John Arbon Textiles, a company I hadn’t come across before, and I can definitely recommend it. It’s soft but strong enough to withstand a firm blocking – sometimes I find the softer laceweight yarns to feel slightly fragile, but not this one.
The main reason I’m waffling on without showing you any pictures is because this thing is a) enormous and b) impossible to photograph effectively. I encountered a small problem when I came to block this – I don’t actually have a large enough expanse of floor in my flat. I eventually waited until my parents were on holiday, and blocked it on their much larger living room floor. Its size is one of the problems when it comes to photography, but there are also issues with being able to capture its drape and movement, and the repeating pattern is one of those that makes your eyes go fuzzy when it’s seen through a lens.
This is a square shawl, it wouldn’t all fit on the table. You can see really clearly here the double leaf motif which separates the four sections – as well as the repeating pattern which fills the main body of the shawl. It looks complex, but as with most lace knitting you end up being able to ‘read’ your work and knit without needing to refer to the chart every 5 minutes.
Here’s one of the corners, showing the edging as well. The edging is my favourite sort, knitted side on, attaching one stitch of the main shawl every two rows – never-ending but strangely satisfying to gradually see something shawl-shaped emerge from a blob of green yarn.
This was the best shot I could get close up of the main body section without having that fuzzy thing happen – like newsreaders wearing stripes on tv….. I love the way the open sections of the repeating pattern eventually take over, and are then echoed in the edging.
This is probably the most accurate photo colour-wise. It’s a beautiful saturated olive-green colour, which seems to go with nearly everything. I have been wearing this on an everyday basis – mainly as a very warm scarf wound round my neck –
It’s very light to wear despite its size, and has come in handy at work over the last few weeks where our heating has been underperforming…..you know it’s cold when I’m at my desk with not only a jumper on but a shawl as well.
None of these photos really captures the sheer size of this thing. We attempted it in the two pictures below, but didn’t really succeed. The second does give a sense of how fine and sheer it is as a single layer.
I’m really quite proud of this make. It’s funny, that’s quite a difficult thing for me to say, I generally like to play down what I produce. My work friends and colleagues are always lovely, whatever I make they’re always impressed, and I’ve learnt not to say ‘oh but the hem’s uneven’ (or whatever flaw I know is there but no-one else will notice). People always say ‘I could never do anything like that’ or ‘I don’t know how you do it’ – but I do genuinely believe that anyone can learn to do these things, I’m not special in any way. That is apart from this shawl – it is a pretty special thing……and I found that really difficult somehow. It’s one thing someone saying ‘that’s amazing’ when I know it’s not, but when I do believe I’ve done something pretty cool I don’t quite know what to say. I think it’s something I need to work on…..